It's that time of year again everybody, it's time for AMC's Annual Best Picture Showcase. As you all may remember from last year, I had the biggest contestTruth On Cinema has ever seen that awarded one lucky person the chance to sit with me in a theater for an entire Saturday and watch all 5 of the Oscar nominated Best Picture candidates. If you read our Oscars post from earlier this week, you would have noticed that this year, there are 10 candidates.

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Thanks to the wonderful guys at UGO, we have the first Super Bowl TV Spot for M. Night Shyamalan's next attempt at cinematic success, The Last Airbender. In case you forgot, it's #11 on my Most Anticipated Films of 2010 list, and after watching this spot, I am super pumped to see it. I love the look and the feel of the film thus far, and even though the rock music has been done to death lately, (read: Clash of the Titans) the action looks intense!

What do you think? Do you think M. Night can start his comeback to films with this one?


In case you missed them - the 82nd Annual Academy Award nominees were announced today.

This may be the first awards show in the last 16 months doesn't feature Lady Gaga in some outrageous outfit, but don't let that deter you from watching. Steve Martin and Alec Baldwin will be co-hosting the awards ceremony on March 7. Both are comic geniuses in their own way, but both are also known for thinking more highly of themselves than maybe they should. (Also, along with Christopher Walken, they are the only SNL hosts to warrant their own "Best of" compilations.)

And just like any good presenter, let me offer this very smooth segue way "and the nominees are..." (awkward pause, internal dialogue visible in my expression: "am I supposed to read these out loud or will the announcer do that??")

BEST PICTURE:
Avatar
The Blind Side
District 9
An Education
The Hurt Locker
Inglourious Basterds
Precious: Based on the Novel “Push” by Sapphire
A Serious Man
Up
Up in the Air

DIRECTING:
Kathryn Bigelow - The Hurt Locker
James Cameron - Avatar
Lee Daniels - Precious: Based on the Novel “Push” by Sapphire
Jason Reitman - Up in the Air
Quentin Tarantino - Inglourious Basterds

ACTOR IN A LEADING ROLE:
Jeff Bridges - Crazy Heart
George Clooney - Up in the Air
Colin Firth - A Single Man
Morgan Freeman - Invictus
Jeremy Renner - The Hurt Locker

ACTRESS IN A LEADING ROLE:
Sandra Bullock - The Blind Side
Helen Mirren - The Last Station
Carey Mulligan - An Education
Gabourey Sidibe - Precious: Based on the Novel “Push” by Sapphire
Meryl Streep - Julie & Julia

ACTOR IN A SUPPORTING ROLE:
Matt Damon - Invictus
Woody Harrelson - The Messenger
Christopher Plummer - The Last Station
Stanley Tucci - The Lovely Bones
Christoph Waltz - Inglourious Basterds

ACTRESS IN A SUPPORTING ROLE:
Penelope Cruz - Nine
Vera Farmiga - Up in the Air
Maggie Gyllenhaal - Crazy Heart
Anna Kendrick - Up in the Air
Mo’Nique - Precious: Based on the Novel “Push” by Sapphire

ADAPTED SCREENPLAY:
Neill Blomkamp and - District 9
Nick Hornby - An Education
Jesse Armstrong, Simon Blackwell, Armando Iannucci and Tony Roche - In the Loop
Geoffrey Fletcher - Precious: Based on the Novel “Push” by Sapphire
Jason Reitman and Sheldon Turner - Up in the Air

ORIGINAL SCREENPLAY:
Mark Boal - The Hurt Locker
Quentin Tarantino - Inglourious Basterds
Oren Moverman and - The Messenger
Joel and Ethan Coen - A Serious Man
Pete Docter and Bob Peterson - Up

FOREIGN LANGUAGE FILM:
Ajami  - Israel
El Secreto de sus Ojos - Argentina
The Milk of Sorrow
Une Prophéte  - France
The White Ribbon - Germany

ANIMATED FEATURE FILM:
Coraline
Fantastic Mr. Fox
The Princess and the Frog
The Secret of the Kells
Up

BEST CINEMATOGRAPHY:
Maurio Fiore - Avatar
Bruno Delbonnel - Harry Potter and the Half-Blood Prince
Barry Ackroyd - The Hurt Locker
Robert Richardson - Inglourious Basterds
Christian Berger - The White Ribbon

FILM EDITING:
Stephen Rivkin, John Refoua and James Cameron - Avatar
Julian Clarke - District 9
Bob Murawski and Chris Innis - The Hurt Locker
Sally Menke - Inglourious Basterds
Joe Klotz - Precious: Based on the Novel ‘Push’ by Sapphire

What do you think of the nominations? Are you excited to see this year's?

credit for nominees list: /Film


The TV Throwdown has been on an extended hiatus, simply because television has been on an extended hiatus. There have been little pockets of life - 24, Hoarders, Gray's - but, in general, it's been pretty weak. But tonight, EVERYTHING... CHANGES.

buh-BAM! Can you deal with that?

Lost is back. Set your twitter apps to follow #LOST. It's going to rock your face off. I don't care if I have to wait and start it at midnight after everyone has gone to bed, this is going to be an event. I should go order some BBQ wings, Pringles, and a Snuggie... be right back. SWEET, I totally scored a free portable book light with my Snuggie order. Seriously, though, this show is poised to prove itself as either the greatest sci-fi/drama/mystery in the history of television or the biggest disappointment since Scott Hall's latest return to TNA. Occupying the #2 slot on my DVR is this little gem.

Sorry baby, the doctors of Seattle Grace Hospital are going to have to wait... Rupert and Russell are back. But at the end of the day, I'm pulling for Colby. It's his time.

So, tell me, am I alone in this or will the entire spring television season rest on the back of these two programs. Feel free to disagree with me, but know that I'll taunt you mercilessly if you do.


What is the deal with the Bourne franchise? Why can't Universal figure out the best way to deliver to us more Jason Bourne? At one point there was already a writer secured working on the 4th film, then news broke last year that the original director, Paul Greengrass, had left the franchise and that Damon wouldn't do another Bourne film without him. Talk about turmoil!

If we didn't need any more roller coaster announcements, coming from Jason Bourne himself (via Empire), it seems to be that Universal, taking cues from their old pals at Sony, is planning on a prequel series to possibly reboot the franchise:

There’ll probably be a prequel of some kind with another actor and another director before we do another one, just because I think we’re probably another five years away from doing it - we’ve got to get a script.

Of course at this point, Damon could just be speculating, but wouldn't you think if there's something going on of this magnitude that he would know? If Universal can't get Damon back without Greengrass, it does make sense to just completely reboot the franchise with a younger Bourne. As the industry gets more watered down with every series imaginable talking about "rebooting," would it work for this film? Following Sony's footsteps with Spider-Man, could a story about how Bourne became the amnesiac assassin we all know and love really work?

What do you think? Could it work? Would anyone go see it? Will we ever see a return to the Bourne franchise?


Warner Bros. has finally revealed the first teaser trailer for DC Comics' The Losers which is #16 on my Top 24 Most Anticipated Films of 2010. The film boasts a nice collection of stars including Zoe Saldana, Jeffrey Dean Morgan, Chris Evans, Idris Elba, Columbus Short, and Óscar Jaenada. I am very excited about this film and the trailer only adds to the excitement, I love the style of action and the inclusion of humor mixed with explosions always makes me smile. This film has been compared to and has been accused of being an A-Team rip off, but I think it's distinctively different tone will separate itself from the A-Team comparisons.

<a href="http://video.msn.com/?mkt=en-us&#038;from=sp&#038;fg=MsnEntertainment_MoviesTrailersGP2_a&#038;vid=1b9d070f-aff2-47f6-8a86-9b2b44ec4fc6" onclick="javascript:pageTracker._trackPageview('/outbound/article/video.msn.com');" target="_new" title="'The Losers' Exclusive Look">Video: 'The Losers' Exclusive Look</a>

What did you think of the trailer? Will this be a film you will see this year?


After facing the fact that I was the only one left in American that hadn't seen Avatar, my wife and I finally made it out to the 3D adventure. I had been quietly anticipating this movie for a while, never really expressing a frenzied anxiousness to see it, but I held a more reserved hope that it could be as good as everyone said it was.

-How did the hype affect the film?

What drove me to shy away from overtly expressing my "want" to see this movie could be summed up in one word: hype. There has been a tremendous amount of hype for this film, hype that I haven't seen since Watchmen or The Dark Knight. The world was on the edge of their seat just waiting to behold the spectacle that James Cameron called, "nothing you've ever seen before." That's a lot to live up to. It was almost too surmountable for me to even attempt to measure my own expectations. I was fearful that the hype would overshadow the movie itself. That's such a force to be reckoned with nowadays. With the studios pouring every cent into marketing their films to viral campaigns being started, to hordes of fans starting their own Facebook groups in anticipation. So, how did the hype of Avatar affect my experience? Although the hype was surreal, it only served to magnify how amazing Avatar is!

-Was Avatar just a "movie to be seen" or to be "experienced?"

There are times when you go see a movie that it's just that: going to see a movie. It's fun, it's casual, it's an escape from everyday life that allows you to just let go of all of your worries for a couple of hours. Avatar is NOT just a movie to go see on a Saturday afternoon! The experience of watching Avatar was unlike anything I have ever experienced. James Cameron was right about this film being "unlike anything we've ever seen before." Avatar is by far one of the Top 5 Most Beautiful films I've ever seen. I think Cameron's film is going to be a bar-setter, much like The Matrix and Lord of the Rings were for their respective technological breakthroughs.

-In a world full of CGI, how did the film retain its heart?

How could a film that is composed of 60% CGI have such an affect on me and the world? Take away all of the technology, the effect, the crazy visuals, and you get back to the basics of film: the characters make the film come alive. In order to pull this kind of film off, a film that spends most of its time in a fake world created by computers, you need to have believable and authentic characters to lead the way. Pulling this off the best, in my opinion, was Zoe Saldana. Her portrayal of Neytiri was sensational and amazing, and absolutely touching. I thought that Sam Worthington was believable but that you could have cast anyone in that role and it wouldn't have mattered. Sigourney Weaver I thought had the best character development through the film. In the beginning she is shown as being a bitter scientist who knows that what she is passionate about and why she is there flies in the face of her superiors and isn't taken seriously. Instead of just staying that way, her character develops a love for the Na'vi and ultimately finds her home there. Beautiful. One of the surprise characters that I actually liked, who I am not supposed to, was Stephen Lang's Colonel Miles Quaritch. He was sobering to watch on screen. It's easy to paint him as a thoughtless American soldier who is bent on murdering and punishing the Na'vi because of how "alien" they are and how different they are. For me, I really think that because he's been there so long and has had to fight for his life, that he truly rationalizes his actions, not out of some intense anti-Na'vi hatred, but because logically, it makes sense to him. He doesn't know any other reality. The most awkward character was Giovanni Ribisi's Parker Selfridge. I am sorry, that's not him. That was not a good casting decision.

-What about the story being just a copycat of other films?

A lot has been said about the story and whether or not it's a direct copy of Pocahontas, or Dances with Wolves, or Last of the Mohicans, or E.T. (ok, I made the E.T. part up), and in the end, it didn't matter. Cameron didn't worry about all of those comparisons, instead he focused on creating a majestic world full of rich contrasts and perfect execution in its beauty. As fantastical as it is, Cameron makes the world of Pandora almost seem familiar. It's full of rich color and wonder and depth of detail that makes for an eye-orgasm. Yes, I said it. As far as the other allegories associated with oppression and the comparisons to our current state with Iraq and the war, I get it, and I can see how you could follow that all the way through, but to me, it wasn't a distraction. I didn't notice it enough to make it ruin the whole movie for me.

-Does the length of the film take away from the quality overall?

After talking with a lot of my friends and family that have seen the film, the one thing they always say that is the one negative of this film is the length. "It was too long" is all I have been hearing. I never once noticed how long it was. I was thoroughly engaged into the entire Pandora universe the whole time, so much so, that 2 and a half hours passed like nothing. I realize that a long action movie can be dangerous because typically you have the main action scenes and then a bunch of useless and disconnected filler stuff. Cameron’s action never seemed to drag on nor was it bloated with useless and meaningless banter. I found the pace to be comfortable and engaging.

-Are there elements of 9/11 woven throughout?

I won't give away spoilers (though I am sure you have all seen it by now) but there's a scene involving the "Hometree" that really felt like 9/11 to me. The thundering explosions, the way the tree fell, the camera work, was all very reminiscent of how 9/11 felt. The frenzy of the crowd of Na’vi’s running, the power of the tree falling with the debris crushing people below, even the sheer force of when the tree finally hit the ground...all of it was very surreal and emotional. I wonder if Cameron used that as a reference when studying explosions and huge objects coming crashing down. That's a random aside, but one that I felt was worth mentioning if even to see if anybody else noticed that?

-Did you notice the awkward profanity?

One of the confusing and disappointing aspects of the film to me was the unnecessary use of profanity. I didn't at all expect there to be as much swearing as there was. It's not a deal breaker for me nor did it ruin the film, but the fact that I noticed it apart from the whole leads me to believe that it wasn't a good fit. There were a lot of kids in the theater and a few that I overheard saying during the parts where there were swearing, "I don't understand what's going on." It felt very creepy to see Sully or Grace use profanity as a Na'vi. It was like watching a smurf swear. Awkward.

-What has Avatar done for the future of films?

After the credits rolled, I knew I had just witnessed history. James Cameron has changed the way we look at and create films. Avatar was a beautiful and rich film that touched me and made me believe. My co-worker gave me a one word review after he saw the film: overwhelming. And I have to agree with him, but what I will add to that will be: awestruck. You can't leave the theater after seeing Avatar and not be in awe. Is this a look into the future of film making?

I give this film a 9 out of 10.


Content Warning: Rated PG-13 for intense epic battle sequences and warfare, sensuality, language and some smoking. I wouldn't recommend this film for kids. It would be too much to explain and with the one "sensual" scene, it might be too much.


There has been a lot of talk lately about how the upcoming Avengers film will be able to incorporate so many characters as well as so many ego's. With Iron Man, Captain America, Thor, and maybe The Hulk, how could anyone possibly begin to bridge all of those styles together?

Kevin Feige, the President of Production over at Marvel Studios, has been handed this impossible task and while sitting down with SFX Magazine, he revealed what characters will ultimately make it into the film.

…its three people, four including Hulk , five including Nick Fury - who you have seen before in other movies, coming together for the very first time.

Hulk? Which Hulk are we going to see? Edward Norton or Eric Bana? Although he doesn't exactly answer the question with a straight response, we can gather that they are at least going to try and get Norton back.

I think there’s a chance, its certainly our intention to use the same actors from film to film where we can.

SFX Magazine also asked him about how they are going to mesh the mythological-science-driven world of Thor with that of the relatively modern world of Iron Man.

We’re doing the Stan Lee/Jack Kirby/Walt Simonson/J Michael Straczynski Thor. We’re not doing the blow the dust of the old Norse book in your library Thor. And in the Thor of the Marvel universe there’s a race called The Asgardians, and we’re linked through this tree of life that we’re unaware of. Its real science, but we don’t know about it yet. The Thor movie is about teaching people that.

What do you think about all of this Avengers news? Do you think they will be able to pull off the impossible and have all of the cohesively in one film?


So my wife and have one of those "get-movies-in-the-mail-and-return-them-to-the-store-and-get-more-movies-thing". Meaning we watch a lot of movies, meaning we don't have much discretion in what we watch.

"I could watch The Goods..."

"Sounds good"

It also means that while we are wandering the aisles of the video store we are subjected to the video store's suggestions of what we should watch. They know we have watched everything we want to see, but still have movies come in the mail all the time and just want to get something so the next movie comes and really will put anything in our DVD player. They feel our pain, cause they created it.

Anyway, the store had a "Our Picks of 2009" display. #1 The Hurt Locker. I'd seen the preview and wrote it off as another Iraq movie. Recently I've heard a few better things about it, so I got it. #2 Moon. YES. This is a movie that came and went in the local indie theater. And it's got a cover that is as cool as all get out and in our house, cool covers get rented.

I had MLK day off and the next day (Texas Confederates' Day... really? The day after MLK day?) so I decided to get both movies.

(Seriously, this back story is getting boring)

To the point. Hurt Locker sucked, Moon ruled.

How come?

I'll tell you. Hurt Locker first. One, the name blows. It sounds like it should be attached to some lame sports movie. "Don't judge a book by it's cover". Well, don't give your Iraq war movie a stupid name. I know it means something about something but I'm still so annoyed by that dumb name I don't even want to look it up.

Two, I guess Mel Gibson and Bruce Willis were both booked, because they wove this antagonist's story from the same tired and trite cloth.

In that preview guy's voice: "He's a bomb specialist that plays by his own rules while breaking all the rules."

Seriously, if that character existed in real life he wouldn't. He'd be dead. A long time ago. Good riddance. The film introduces him in this stereotypical scene of him coming on the scene of him breaking all the rules. I hate it so much I don't even want to describe it.

Three. Oh, and our hero, he's white and guess what? HE HAS A BLACK PARTNER THAT HE CONSISTENTLY PISSES OFF! How brilliant! And the black partner follows all the rules.

Again in that preview guy's voice: "He's the black partner that's already angry, cause he's black, and he does play by all the rules and doesn't ever make up his own rules, he just follows the rules."

I hate this movie. Of course these guys fight and hate each other but then in a tense battle sequence they work together and learn to like each other. I'm not going to tell you how this movie ends, not because I don't want to ruin it for you, but because it is just so stupid. Hurt Locker, go home.

And the worst part, everyone is praising it because it's supposed to be this great independent movie that is giving the REAL movies a run for its money. When I think of independent movies, obviously they are low(er) budget, because they are stories that are edgier, or smarter, or more dynamic, etc., that won't appeal to a ton of people, AKA not make that much money. But for the most part, in my opinion, that means they may be better than say, Armageddon.

Not in this case. Hurt Locker is independent/low budget in the way that it's a tired story and no studios thought anyone wanted to see another Iraq/Lethal Weapon/Die Hard type movie. Lame.

Gah, this is getting long. I'll finish up with Part Two, talking about Moon, later.


Continuing to jump on the hot and financially successful bandwagon of converting films to 3D, HeatVision is reporting that Warner Bros. is close to announcing that the last two Harry Potter films will be in 3D. Apparently because of how well Clash of the Titans tested in the most recent-3D conversion tests, of course that coupled with the amazing reaction and success of Avatar, they are not only planning on releasing 'Titans' in 3D but also the next two Harry Potter films.

I continue to go back and forth with 3D and its impact on films. As long as films continue to go out of their way to convert a traditional film to 3D, just for the sake of making more money, I think that makes 3D a gimmick and a fad that will surely fade away. That brings up an interesting question though: will adding "in 3D" actually increase a film's anticipation from the fan perspective? What do you think?

What do you think of this news? Does this make you a) more excited about Harry Potter, or b) think that this could be ruining an amazing franchise?

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